The meeting room smelled of beeswax and old leather and the particular tension of a space being used for something it had not been used for before.
She was sitting on the wrong side of the table.
Not wrong, technically — Aldwin had placed her there, two chairs to his left, which put her adjacent to the axis of the conversation rather than outside it. But she had spent seven months sitting in the corner of this room and adjacent rooms, occupying the observer's position, and the shift in angle was producing a corresponding shift in perspective that she was still adjusting to. From the corner, you saw who was paying attention and who wasn't. From two chairs to the left of Aldwin Ardenis, you saw the thing itself.
The new eastern holdings manager was named Fendrick. He was forty-three, had managed a smaller estate in the Velden valley for twelve years, and had been recommended by two of Aldwin's business contacts with the specific commendation that he was thorough and did not make excuses. He had the particular quality of someone who had spent enough time managing things that went wrong to have developed a systematic relationship with detail.
Liora assessed him in approximately four minutes and concluded: competent, cautious, will ask for clarification before acting, which was better than the previous manager who had not asked for clarification and had consequently been using the wrong rotation schedule for six years without realizing it.
She said very little during the meeting. This was deliberate — she had learned, from watching Aldwin conduct meetings for seven months, that the most effective interventions were the ones that came after a long silence, because long silences created an expectation of content that made content land harder when it arrived.
She waited until Fendrick was describing his plan for the first quarter, and then she asked: "What's your approach to the drainage maintenance schedule? The lower eastern fields have a clay content that changes how water moves through the soil during the wet season."
Fendrick looked at her.
The look had several layers. The first was surprise — not that the question had been asked, but that it had been asked by someone his reading of the situation had categorized as a child being indulged. The second was the rapid reassessment that followed the first. The third was the specific quality of attention that a competent person gave to a question they recognized as coming from someone who had done more preparation than them on a specific point.
"I'd need to review the drainage survey," he said.
"Ser Aldric has one from forty years ago in the estate archive," she said. "Cross-referenced with the Imperial Agricultural Society's current guidance for clay-heavy soil. I can show you which pages are relevant."
Fendrick looked at Aldwin.
Aldwin was looking at the window.
"That would be useful," Fendrick said, to Liora.
She nodded and returned her attention to her notes, and did not look at Aldwin's expression, because looking at it would have required managing her own expression, and she was using that capacity for other things.
Fendrick left at quarter past eleven.
Aldwin did not move immediately. He remained in his chair at the head of the table, looking at the papers in front of him with the focused non-reading that meant he was thinking about something other than their content. She had seen this look before — in the study, in the garden, in the trade reviews when something unexpected had arrived and he was integrating it.
"Tell me," he said, without preamble. "What else have you read."
Not *what have you read about the eastern holdings.* What else. The scope of the question was the point of it.
She thought about the answer. Not about what to say — she had been preparing for some version of this question for weeks, in the back of her mind where preparations lived — but about how much was the right amount, the specific calibration of honesty that was most accurate to who she actually was rather than who she needed to appear to be.
"Three generations of production records for the Ardenis estates," she said. "The agricultural surveys from the archive. The trade review records going back fourteen years. The estate correspondence files from the period when your father was Duke — Ser Aldric gave me access because I asked about the historical context of the current holdings structure." She paused. "Some of the Imperial records on noble estate management that Ser Aldric ordered from the capital. The bloodline histories, though those aren't directly relevant to the holdings work."
Aldwin looked at her.
"Why the bloodline histories?" he said.
She had expected this. "Because I wanted to understand where the family came from. The estate decisions don't make complete sense without the family context, and the family context goes back further than the production records."
He considered this. "What are you looking for," he said, "when you read."
It was not quite the same question as *what do you read*. The difference was the part of her it was asking about.
"Things that don't fit," she said. "Patterns that are almost patterns but have a gap in them. Numbers that should move together and don't." She paused. "When something doesn't fit, it usually means there's a reason. Finding the reason is—" She stopped, because the next word was *satisfying*, which was true but was also the kind of thing that sounded different depending on who heard it.
"Go on," Aldwin said.
"Finding the reason is how you understand the actual shape of a thing," she said. "Not the shape it's supposed to be. The shape it is." She paused, and added something she had not planned to add: "Most people read records to confirm what they already think. I read them to find out what I don't know I don't know."
Aldwin looked at her for a moment with the full-attention expression, the one beneath the efficient assessment.
"Who taught you that?" he said.
"No one," she said, which was true. "I noticed that the records where I found the most useful information were always the ones that said something I wasn't expecting. So I started reading for the unexpected rather than the expected." She paused again. "It's slower. But the things you find are different."
He was quiet again, in the way of someone who had asked a question and received more answer than they anticipated and was deciding what to do with the excess.
"The gaps in the correspondence records," he said, after a moment. "The ones you mentioned. When you found them, what did you think they meant?"
She had been wondering if he would come back to this. "I didn't know what they meant," she said. "That's why I noticed them. A gap in a record usually means something was removed, or was never created, or was created somewhere else. Any of those is interesting for different reasons." She looked at the table. "I haven't determined which kind these are."
"Some of them are the first kind," he said. "Some are the third." He said it in the tone of someone closing a particular line of inquiry without explaining why they were closing it.
She accepted the closure.
Then he pushed back from the table slightly and turned toward her in the way of someone who had decided to change the nature of a conversation.
"What do you know about the family's relationship with the imperial branches?" he said.
This was not the question she had been building toward, but it was adjacent to it, and she recognized the opening.
"I know that Ardenis has historically maintained careful neutrality," she said. "The estate records show limited direct contact with the non-succession branches — the ones that carry bloodline claims without carrying throne claims." She paused. "I was going to ask you about that, actually."
"About the branches."
"About whether the current policy is the same. Whether the family still keeps its distance."
Aldwin looked at the window. It was a different kind of looking than his usual assessment — something more internal.
"Yes," he said. "We keep our distance. It's been my policy since I took the Dukedom. The branches without power are dangerous in proportion to how much they want it, and they always want it." He looked at her. "Why do you ask?"
"Because I've been reading the estate records from the period before your tenure," she said. "There are gaps. Correspondence that was apparently removed. Relationships that are referenced in some documents and not in others." She kept her voice at the register of a student noting an anomaly. "I wondered if the gaps were related to the policy, or to something else."
Aldwin was quiet.
"Some of them are related to the policy," he said. "Some of them are related to other things." He said it with the particular finality of someone closing a door without explanation.
She let it close. She had one more thing to say, and she needed to say it carefully.
"I read a reference to the Third Prince," she said, in the same register — neutral, curious, historical. "In one of the older documents. Kaelis Veren. He's listed in the imperial succession tables but there's almost nothing else about him in the records." She paused. "He's still at the Witherhold, isn't he? I thought I remembered hearing that mentioned somewhere."
Aldwin's expression did not change.
That was, itself, information. She had been watching his expression for eight months, had catalogued its variations and what they meant, and the fact that it did not change now meant that the question had not surprised him — which meant it was a question he had thought about before, in some form, and had a prepared relationship with.
"Yes," he said. "He's still there."
"I was curious why he's never mentioned," she said. "In any of the current discussions. The succession is—" she paused, choosing her words "—obviously important to the family's position. And there are three princes. But only two of them are ever discussed."
Aldwin looked at her for a long moment.
Then he stood up and walked to the window, and she watched his back — the specific quality of how a person carried themselves when they were making a decision about how much to say.
"Lia," he said, not turning around.
"Yes."
"There are things that happened before you were born that shaped the current situation. Some of those things were decisions I made, or didn't make, for reasons that seemed correct at the time." He was quiet for a moment. Outside, the winter garden was bare and precise, the paths swept clean, the fountain still running in the cold. "The results of some of those decisions were not what I intended. That is—" He stopped. "That is a thing that happens. You make decisions with the information available and you live with what comes after."
She sat very still.
"The Third Prince," he said. "Is not a subject I will discuss. It is not a direction the family will move in." He turned slightly, not enough to look at her but enough that she could see the angle of his profile. "Not because there is nothing to say. Because there is too much to say and none of it leads anywhere useful. Do you understand?"
"I understand," she said.
He turned back to the window.
"Good," he said. "Don't ask again."
She said: "Yes, grandfather." And she meant it — not as an agreement not to pursue it, but as an acknowledgment that she had heard him, which was different.
She stood, and picked up her notes, and walked to the door.
"Lia."
She stopped.
"The question about the drainage schedule," he said. "It was the right question. Fendrick will be better for having been asked it in front of me than he would have been for having found the answer on his own."
She waited.
"Come on Tuesday," he said. "I want to go over the Velden valley trade contracts. Bring what you've read."
She said: "Yes, grandfather." And went out.
The hallway was empty. She walked to the end of it, turned the corner, and stood for a moment with her back against the wall and looked at the ceiling.
*Decisions made for the right reasons that produced wrong results.*
She had heard a version of that sentence before — in the previous version, from people who were explaining why they had done things she had spent years managing the aftermath of. She had learned to distrust it as a construction, because it was a very useful sentence for people who needed to explain why they had done something harmful without accepting responsibility for the harm.
But Aldwin Ardenis was not, in general, a man who made excuses. He made assessments and he made decisions and he lived with them with the particular stoicism of someone who had decided that stoicism was more useful than regret. If he said *decisions made for the right reasons that produced wrong results*, he was not making an excuse. He was describing a specific thing that had actually happened, in a specific sequence, that he had a specific relationship with.
She thought about the sealed records. She thought about the letter fragment in Ser Aldric's folder, the name of the imperial branch that had requested the sealing. She thought about Vorian sending correspondence in the same hand, and Croft receiving it.
She thought: Aldwin knows something went wrong with Kaelis Veren. He has known for a long time. He has been not-knowing-it actively, which was different from simply not knowing.
She thought: what did he decide, and what was the right reason, and what was the wrong result.
She thought about what it meant to make a decision that felt right and have it produce something wrong, and to live with that in the specific way that Aldwin Ardenis lived with things — without excusing it, without dramatizing it, with the particular flat acknowledgment of someone who had decided that the most useful response to an irreversible thing was to simply know it accurately.
She had been thinking of Aldwin as an obstacle to manage. As the person whose trust she needed to earn before she could do what she needed to do. She had been correct about that — she did need his trust, and it was earned rather than given, and she had been earning it correctly.
But she had not been thinking of him as someone who might, if she understood the situation well enough, want to help. Not because of strategy or alliance or political calculation — but because he knew something had gone wrong and had been not-acting on that knowledge for a long time, and the weight of not-acting was something she recognized from the inside.
She was not, yet, in a position to offer him a way to act. She did not have enough information. She did not have enough standing. She did not have the thing that would make the offer real rather than the proposition of a seven-year-old with large plans and limited resources.
But she filed it.
She filed: *Aldwin Ardenis knows something went wrong with Kaelis Veren and has been carrying it for years. The right approach, when the time comes, is not to ask him to help a strategy. It is to give him a way to put down something he has been holding.*
She would need to understand what he had been holding before she could offer to take any part of it.
Mae was in the corridor outside her room.
"Pell Farro's father came to the house today," Mae said. "He asked to speak with someone about the school fee. He wanted to know who to thank."
Liora considered this. She had not thought through the aftermath of the fee arrangement as carefully as she should have — she had been focused on the immediate problem and had not fully considered that Conn Farro was not the kind of man who would accept an anonymous gift without trying to trace it.
"What did you tell him?" she said.
"That it came from the family," Mae said. "From a member who wished to remain anonymous but had noticed Pell's work on the estate fencing and wanted to support his education." She paused. "I said it in a way that made him understand he shouldn't look further."
Liora looked at her.
"That was well done," she said.
"Yes, miss," Mae said. "He cried a little. He's a quiet man. He didn't want to, but he did."
She thought about that on the way into her room — Conn Farro, a quiet man, crying a little in the Ardenis household corridor. She thought about the fence post and the angle of the brace. She thought about Pell Farro in a training school in Caldenmere, learning the formal names for things he had already figured out on his own.
She thought about the scholarship program her grandfather had built and her uncle had destroyed within six months, and the physician and the engineer and the historian, and what it would mean to build it again — carefully, differently, with more structure than a single person's generosity could provide.
Not yet. She was seven years old and the daughter of a minor branch and she had just been invited to come on Tuesday with her reading, and that was one thing, and the scholarship program was another thing, and she needed to do them in the right order.
But she thought about it.
She thought about Conn Farro, a quiet man, crying a little.
And she thought about Aldwin at the window: *decisions made for the right reasons that produced wrong results.*
And she thought about a boy in a tower who had stopped accepting the books they sent him, and whether the decision that had put him there had also felt, to whoever made it, like the right reasons.
She lay in the dark with the World Tree above her.
The roots were warm.
*I'm coming*, she thought. *I'm learning the shape of everything that stands between us. I will know it well enough to find the way through.*
*Don't stop yet.*
You've reached the end of this chapter
The meeting room smelled of beeswax and old leather and the particular tension of a space being used for something it had not been used for before.
She was sitting on the wrong side of the table.
Not wrong, technically — Aldwin had placed her there, two chairs to his left, which put her adjacent to the axis of the conversation rather than outside it. But she had spent seven months sitting in the corner of this room and adjacent rooms, occupying the observer's position, and the shift in angle was producing a corresponding shift in perspective that she was still adjusting to. From the corner, you saw who was paying attention and who wasn't. From two chairs to the left of Aldwin Ardenis, you saw the thing itself.
The new eastern holdings manager was named Fendrick. He was forty-three, had managed a smaller estate in the Velden valley for twelve years, and had been recommended by two of Aldwin's business contacts with the specific commendation that he was thorough and did not make excuses. He had the particular quality of someone who had spent enough time managing things that went wrong to have developed a systematic relationship with detail.
Liora assessed him in approximately four minutes and concluded: competent, cautious, will ask for clarification before acting, which was better than the previous manager who had not asked for clarification and had consequently been using the wrong rotation schedule for six years without realizing it.
She said very little during the meeting. This was deliberate — she had learned, from watching Aldwin conduct meetings for seven months, that the most effective interventions were the ones that came after a long silence, because long silences created an expectation of content that made content land harder when it arrived.
She waited until Fendrick was describing his plan for the first quarter, and then she asked: "What's your approach to the drainage maintenance schedule? The lower eastern fields have a clay content that changes how water moves through the soil during the wet season."
Fendrick looked at her.
The look had several layers. The first was surprise — not that the question had been asked, but that it had been asked by someone his reading of the situation had categorized as a child being indulged. The second was the rapid reassessment that followed the first. The third was the specific quality of attention that a competent person gave to a question they recognized as coming from someone who had done more preparation than them on a specific point.
"I'd need to review the drainage survey," he said.
"Ser Aldric has one from forty years ago in the estate archive," she said. "Cross-referenced with the Imperial Agricultural Society's current guidance for clay-heavy soil. I can show you which pages are relevant."
Fendrick looked at Aldwin.
Aldwin was looking at the window.
"That would be useful," Fendrick said, to Liora.
She nodded and returned her attention to her notes, and did not look at Aldwin's expression, because looking at it would have required managing her own expression, and she was using that capacity for other things.
Fendrick left at quarter past eleven.
Aldwin did not move immediately. He remained in his chair at the head of the table, looking at the papers in front of him with the focused non-reading that meant he was thinking about something other than their content. She had seen this look before — in the study, in the garden, in the trade reviews when something unexpected had arrived and he was integrating it.
"Tell me," he said, without preamble. "What else have you read."
Not *what have you read about the eastern holdings.* What else. The scope of the question was the point of it.
She thought about the answer. Not about what to say — she had been preparing for some version of this question for weeks, in the back of her mind where preparations lived — but about how much was the right amount, the specific calibration of honesty that was most accurate to who she actually was rather than who she needed to appear to be.
"Three generations of production records for the Ardenis estates," she said. "The agricultural surveys from the archive. The trade review records going back fourteen years. The estate correspondence files from the period when your father was Duke — Ser Aldric gave me access because I asked about the historical context of the current holdings structure." She paused. "Some of the Imperial records on noble estate management that Ser Aldric ordered from the capital. The bloodline histories, though those aren't directly relevant to the holdings work."
Aldwin looked at her.
"Why the bloodline histories?" he said.
She had expected this. "Because I wanted to understand where the family came from. The estate decisions don't make complete sense without the family context, and the family context goes back further than the production records."
He considered this. "What are you looking for," he said, "when you read."
It was not quite the same question as *what do you read*. The difference was the part of her it was asking about.
"Things that don't fit," she said. "Patterns that are almost patterns but have a gap in them. Numbers that should move together and don't." She paused. "When something doesn't fit, it usually means there's a reason. Finding the reason is—" She stopped, because the next word was *satisfying*, which was true but was also the kind of thing that sounded different depending on who heard it.
"Go on," Aldwin said.
"Finding the reason is how you understand the actual shape of a thing," she said. "Not the shape it's supposed to be. The shape it is." She paused, and added something she had not planned to add: "Most people read records to confirm what they already think. I read them to find out what I don't know I don't know."
Aldwin looked at her for a moment with the full-attention expression, the one beneath the efficient assessment.
"Who taught you that?" he said.
"No one," she said, which was true. "I noticed that the records where I found the most useful information were always the ones that said something I wasn't expecting. So I started reading for the unexpected rather than the expected." She paused again. "It's slower. But the things you find are different."
He was quiet again, in the way of someone who had asked a question and received more answer than they anticipated and was deciding what to do with the excess.
"The gaps in the correspondence records," he said, after a moment. "The ones you mentioned. When you found them, what did you think they meant?"
She had been wondering if he would come back to this. "I didn't know what they meant," she said. "That's why I noticed them. A gap in a record usually means something was removed, or was never created, or was created somewhere else. Any of those is interesting for different reasons." She looked at the table. "I haven't determined which kind these are."
"Some of them are the first kind," he said. "Some are the third." He said it in the tone of someone closing a particular line of inquiry without explaining why they were closing it.
She accepted the closure.
Then he pushed back from the table slightly and turned toward her in the way of someone who had decided to change the nature of a conversation.
"What do you know about the family's relationship with the imperial branches?" he said.
This was not the question she had been building toward, but it was adjacent to it, and she recognized the opening.
"I know that Ardenis has historically maintained careful neutrality," she said. "The estate records show limited direct contact with the non-succession branches — the ones that carry bloodline claims without carrying throne claims." She paused. "I was going to ask you about that, actually."
"About the branches."
"About whether the current policy is the same. Whether the family still keeps its distance."
Aldwin looked at the window. It was a different kind of looking than his usual assessment — something more internal.
"Yes," he said. "We keep our distance. It's been my policy since I took the Dukedom. The branches without power are dangerous in proportion to how much they want it, and they always want it." He looked at her. "Why do you ask?"
"Because I've been reading the estate records from the period before your tenure," she said. "There are gaps. Correspondence that was apparently removed. Relationships that are referenced in some documents and not in others." She kept her voice at the register of a student noting an anomaly. "I wondered if the gaps were related to the policy, or to something else."
Aldwin was quiet.
"Some of them are related to the policy," he said. "Some of them are related to other things." He said it with the particular finality of someone closing a door without explanation.
She let it close. She had one more thing to say, and she needed to say it carefully.
"I read a reference to the Third Prince," she said, in the same register — neutral, curious, historical. "In one of the older documents. Kaelis Veren. He's listed in the imperial succession tables but there's almost nothing else about him in the records." She paused. "He's still at the Witherhold, isn't he? I thought I remembered hearing that mentioned somewhere."
Aldwin's expression did not change.
That was, itself, information. She had been watching his expression for eight months, had catalogued its variations and what they meant, and the fact that it did not change now meant that the question had not surprised him — which meant it was a question he had thought about before, in some form, and had a prepared relationship with.
"Yes," he said. "He's still there."
"I was curious why he's never mentioned," she said. "In any of the current discussions. The succession is—" she paused, choosing her words "—obviously important to the family's position. And there are three princes. But only two of them are ever discussed."
Aldwin looked at her for a long moment.
Then he stood up and walked to the window, and she watched his back — the specific quality of how a person carried themselves when they were making a decision about how much to say.
"Lia," he said, not turning around.
"Yes."
"There are things that happened before you were born that shaped the current situation. Some of those things were decisions I made, or didn't make, for reasons that seemed correct at the time." He was quiet for a moment. Outside, the winter garden was bare and precise, the paths swept clean, the fountain still running in the cold. "The results of some of those decisions were not what I intended. That is—" He stopped. "That is a thing that happens. You make decisions with the information available and you live with what comes after."
She sat very still.
"The Third Prince," he said. "Is not a subject I will discuss. It is not a direction the family will move in." He turned slightly, not enough to look at her but enough that she could see the angle of his profile. "Not because there is nothing to say. Because there is too much to say and none of it leads anywhere useful. Do you understand?"
"I understand," she said.
He turned back to the window.
"Good," he said. "Don't ask again."
She said: "Yes, grandfather." And she meant it — not as an agreement not to pursue it, but as an acknowledgment that she had heard him, which was different.
She stood, and picked up her notes, and walked to the door.
"Lia."
She stopped.
"The question about the drainage schedule," he said. "It was the right question. Fendrick will be better for having been asked it in front of me than he would have been for having found the answer on his own."
She waited.
"Come on Tuesday," he said. "I want to go over the Velden valley trade contracts. Bring what you've read."
She said: "Yes, grandfather." And went out.
The hallway was empty. She walked to the end of it, turned the corner, and stood for a moment with her back against the wall and looked at the ceiling.
*Decisions made for the right reasons that produced wrong results.*
She had heard a version of that sentence before — in the previous version, from people who were explaining why they had done things she had spent years managing the aftermath of. She had learned to distrust it as a construction, because it was a very useful sentence for people who needed to explain why they had done something harmful without accepting responsibility for the harm.
But Aldwin Ardenis was not, in general, a man who made excuses. He made assessments and he made decisions and he lived with them with the particular stoicism of someone who had decided that stoicism was more useful than regret. If he said *decisions made for the right reasons that produced wrong results*, he was not making an excuse. He was describing a specific thing that had actually happened, in a specific sequence, that he had a specific relationship with.
She thought about the sealed records. She thought about the letter fragment in Ser Aldric's folder, the name of the imperial branch that had requested the sealing. She thought about Vorian sending correspondence in the same hand, and Croft receiving it.
She thought: Aldwin knows something went wrong with Kaelis Veren. He has known for a long time. He has been not-knowing-it actively, which was different from simply not knowing.
She thought: what did he decide, and what was the right reason, and what was the wrong result.
She thought about what it meant to make a decision that felt right and have it produce something wrong, and to live with that in the specific way that Aldwin Ardenis lived with things — without excusing it, without dramatizing it, with the particular flat acknowledgment of someone who had decided that the most useful response to an irreversible thing was to simply know it accurately.
She had been thinking of Aldwin as an obstacle to manage. As the person whose trust she needed to earn before she could do what she needed to do. She had been correct about that — she did need his trust, and it was earned rather than given, and she had been earning it correctly.
But she had not been thinking of him as someone who might, if she understood the situation well enough, want to help. Not because of strategy or alliance or political calculation — but because he knew something had gone wrong and had been not-acting on that knowledge for a long time, and the weight of not-acting was something she recognized from the inside.
She was not, yet, in a position to offer him a way to act. She did not have enough information. She did not have enough standing. She did not have the thing that would make the offer real rather than the proposition of a seven-year-old with large plans and limited resources.
But she filed it.
She filed: *Aldwin Ardenis knows something went wrong with Kaelis Veren and has been carrying it for years. The right approach, when the time comes, is not to ask him to help a strategy. It is to give him a way to put down something he has been holding.*
She would need to understand what he had been holding before she could offer to take any part of it.
Mae was in the corridor outside her room.
"Pell Farro's father came to the house today," Mae said. "He asked to speak with someone about the school fee. He wanted to know who to thank."
Liora considered this. She had not thought through the aftermath of the fee arrangement as carefully as she should have — she had been focused on the immediate problem and had not fully considered that Conn Farro was not the kind of man who would accept an anonymous gift without trying to trace it.
"What did you tell him?" she said.
"That it came from the family," Mae said. "From a member who wished to remain anonymous but had noticed Pell's work on the estate fencing and wanted to support his education." She paused. "I said it in a way that made him understand he shouldn't look further."
Liora looked at her.
"That was well done," she said.
"Yes, miss," Mae said. "He cried a little. He's a quiet man. He didn't want to, but he did."
She thought about that on the way into her room — Conn Farro, a quiet man, crying a little in the Ardenis household corridor. She thought about the fence post and the angle of the brace. She thought about Pell Farro in a training school in Caldenmere, learning the formal names for things he had already figured out on his own.
She thought about the scholarship program her grandfather had built and her uncle had destroyed within six months, and the physician and the engineer and the historian, and what it would mean to build it again — carefully, differently, with more structure than a single person's generosity could provide.
Not yet. She was seven years old and the daughter of a minor branch and she had just been invited to come on Tuesday with her reading, and that was one thing, and the scholarship program was another thing, and she needed to do them in the right order.
But she thought about it.
She thought about Conn Farro, a quiet man, crying a little.
And she thought about Aldwin at the window: *decisions made for the right reasons that produced wrong results.*
And she thought about a boy in a tower who had stopped accepting the books they sent him, and whether the decision that had put him there had also felt, to whoever made it, like the right reasons.
She lay in the dark with the World Tree above her.
The roots were warm.
*I'm coming*, she thought. *I'm learning the shape of everything that stands between us. I will know it well enough to find the way through.*
*Don't stop yet.*
You've reached the end of this chapter