Chapter 19

Chapter 19: The Glass Ceiling Waltz

Chapter 19: The Glass Ceiling Waltz

The night before the ceremony, Aveline stood before her mirror for the last time.

Not looking for him — he was not there, he was in Nocturne preparing for the ceremony's aftermath — but simply standing there, with the mirror as it had always been: an oval glass in a dark wood frame that had been in this room since before she was born, which had held an extraordinary number of events in the past several weeks while appearing to be simply a mirror.

She thought about the first night, half past eleven, holding the Accord open to page thirteen, the projector lamp making the second layer faint and legible. She thought about the man who had appeared in its surface and told her things she had not been ready to know and which had turned out to be entirely true.

She thought: I have changed considerably since then.

She thought: no. I was always this. I have simply been more of it.

She got ready for bed with the same precision she brought to everything and lay in the dark listening to both clocks, and thought about tomorrow.

The ceremony was at noon in House Veyr's crystal hall. She would arrive on time. She would walk through the room with the composure she had been building her entire life. She would stand at the center of it and, in front of every house and every family and every witness that Lord Severin had assembled to watch the completion of an Accord he believed was inevitable, she would say what needed to be said.

She was not nervous. She was — prepared. The specific quality of prepared that came from actually being ready rather than simply having done the preparation.

She thought about what she would say. She had written it out, not as a script — she did not work from scripts — but as a structure: the facts, in order, with the explanation of each fact and the documentation that existed for each claim. Clear language. No embellishment. The kind of account that could not be refuted because it was built entirely from evidence rather than argument.

She thought about who would be in the room. The houses. Severin, who had told her he would not fight it. Julian, who had chosen. Her mother, who had come back from nine years in The Between for this moment. Orin Vale, who had been quietly prepared for this for years. Mirel, who was attending as the representative of the city's public record — Aveline had arranged this; it had required some negotiation, but she had the skill for negotiation when needed.

She thought about the moment after she finished speaking, when the room would process what had been said and what it meant. She thought about what happened in a room when something very large that had been hidden becomes visible.

She thought: it will be all right. Not immediately. But in time.

She thought about time. She thought about her mother spending nine years in The Between and coming out with nine years of documentation. She thought about Caelan spending years working toward a crossing that took eleven minutes to execute once the preparation was in place. She thought about long work and patience as the available form of action and about all the ways that time was not the enemy of things that mattered.

She slept.

---

The morning of the ceremony was the same clean silver-blue as the day she had met Julian for tea, which felt, in retrospect, intentional in a way that it was not — the weather was not intentional, nothing in nature was intentional, but she had learned over the past weeks to look for patterns and she saw one here, even if it was coincidence: the sky the same quality of clear on both the day when she had begun to understand the problem and the day when she was going to resolve it.

She dressed with care. Not the ceremony dress — she had been told the ceremony dress would be fitted and waiting at House Veyr, which was the traditional form. She wore the travelling coat she had worn to the archive, to the station, to the clock shop, to every significant moment of the past several weeks. The pockets were still the right size for the calibration device, which she was carrying. The boots were still the silent-soled ones.

She went downstairs to breakfast.

Her mother was already at the table, with tea and the engineering documentation spread around her in the organized way that meant she had been working since six. She looked up when Aveline came in.

"How do you feel?" she asked.

"Ready," Aveline said.

Her mother looked at her for a moment — the assessment, the one she gave everything worth understanding — and nodded once. "Yes," she said. "You are."

They ate breakfast together. The city outside was running its ordinary mechanisms, the sky-rail and the clocktower and the market district. Aveline ate methodically and thought about noon and about what would happen after noon.

She thought about after. She had been thinking about it for days now, in the way Caelan had said he thought about it — in detail, in the large and the small of it. She thought about the technical work: the field monitoring, the documentation, the ongoing coordination between both sides. She thought about the public work: Mirel's story, the city's understanding, the slow process of a community integrating information that had been kept from it for generations.

She thought about the personal work, which was not less important than the rest.

She thought about an ordinary Tuesday.

She finished her breakfast. She put on her coat. She walked to House Veyr.

The crystal hall was filled when she arrived. Every family. Every house. The chandeliers above the crystal ceiling caught the morning light and scattered it, and through the crystal ceiling she could see the sky — silver-blue, and at the very edges of her vision, just barely, the violet that had been there for days now, so faint as to be almost invisible except to someone who knew what to look for.

She walked through the room with the composure she had been building her entire life. She let people see her: composed, precise, ready. She found her position. She waited for the moment.

The moment came.

She spoke.

She spoke for eleven minutes.

She told them: the second layer of the Accord, in clear language, explained the mechanism it described. She told them the mechanism had been designed sixty years ago to stabilize the Engine at the cost of a parallel city called Nocturne Meridian. She told them the parallel city was real and was visible to anyone who knew how to look. She told them the restriction notices and the removed catalog entries and the authorization signature on the restriction notice.

She did not say Lord Severin's name. She had decided not to — not to protect him, but because the story was not about blame. It was about information. The city needed the information. The blame would be worked out over time by people whose work that was.

She told them about her mother. She told them Marcelline Corvayne was alive and had been in The Between for nine years because she had been trying to complete the work she described, and that she was present in this room today, and she gestured to where her mother stood at the side of the hall, holding nine years of documentation.

She told them the mechanism had been interrupted four days ago and that both cities were now stabilizing independently.

She said that the Accord between House Corvayne and House Veyr was being dissolved, formally, in front of these witnesses, not as a breach of contract but as a correction: the Accord had been built on a false premise, and the false premise had been corrected, and the dissolution was the natural legal consequence.

She said that Julian Veyr of House Veyr was dissolving the Accord with her, because he had chosen to, because he had understood what was at stake and made a decision she respected.

She looked at Julian. He was standing at the edge of the platform, as they had arranged, and he stepped forward and said, formally and clearly: "House Veyr, Meridian side, dissolves the Accord." And then: "This was the right thing to do."

The hall was very quiet.

She said: "From Nocturne, through a convergence zone, I have been told that House Veyr, Nocturne side, also dissolves the Accord. The dissolution is complete."

The document on the platform — the Accord, the surface layer and the second layer both — dissolved. Not physically — paper did not dissolve — but the resonance mechanism that had been embedded in it released. She felt it in the calibration device in her pocket: the reading shifted, and then was still.

The hall remained quiet.

Then, from the crystal ceiling above them, the sky showed through — both skies. Silver-blue and deep violet, side by side, visible through the transparent ceiling to the full room, to every family and every house, to every person who had ever looked up at the Meridian sky and found it simply the sky and nothing more.

Someone in the back of the hall made a sound. Someone else began talking, quietly, urgently. The quiet broke and became something else: not chaos, not alarm, but the specific sound of a room full of people processing an enormous amount of information at the same time.

Aveline stood in the center of it and felt the specific quality of a thing completed.

She thought: it is done.

She thought about thirty-one names on Mirel's list. She thought about the buildings in Nocturne that had stopped fading. She thought about her mother at the side of the hall, with nine years of documentation, ready to answer the questions that were coming.

She thought about Caelan in Nocturne, watching the same event from the other side: the dissolution being registered in the Nocturne records, the Nocturne sky showing a silver-blue edge for the first time in possibly ever, the specific quality of two cities that had been pressed against each other beginning to find a different way to be adjacent.

She thought about an ordinary Tuesday.

She thought: we are going to have time for that now.

The hall continued to process. People were moving, talking, a contingent near Severin's position were in some kind of exchange she did not need to be part of. Julian was at her side, having crossed the room with the quiet efficiency she had come to expect from him.

"That went," he said carefully, "approximately as planned."

"Approximately," she agreed.

They stood in the crystal hall with both skies visible above them and the machinery of the city outside running its ordinary processes and the specific sound of a world renegotiating its understanding of itself all around them.

"What happens now?" Julian asked.

"Now," she said, "everything happens. But the worst of it has already been done, and the rest is work."

He nodded. "I'm good at work."

"I know," she said. "So am I."

Outside, through the crystal ceiling, the two skies held each other in the afternoon light.

The afternoon was a different kind of work from the past several weeks.

The past several weeks had been investigation and calculation and preparation and convergence windows and the specific sustained effort of building a plan in secret while performing ordinary life on top of it. This was different: visible, present, being in the room while the thing she had done was being processed by everyone it affected.

She talked to the families. She answered questions. She talked to the technical advisory board members who had been on the Engine maintenance committee and who had, she suspected, known more than they had been permitted to say. She talked to Lady Thessen, who asked three specific questions that Aveline had prepared answers for and who seemed, at the end of the exchange, satisfied in the way of someone whose suspicions had been confirmed.

She talked to her father.

This was the conversation she had been avoiding thinking about specifically, because it was more complicated than most of the others. Lord Aldric Corvayne had spent twenty-two years preparing her for a role in an alliance that had just been dissolved. He had brought her up to be the instrument of a mechanism that she had just publicly dismantled.

He did not look angry. He looked, when she found him at the edge of the hall, very tired.

"You knew," he said, when she reached him. Not an accusation. A statement.

"Yes. For several weeks."

"You didn't tell me."

"No." She held his gaze. "I needed to understand the full picture before I told anyone who would have felt obligated to act on partial information."

He was quiet for a long time. "Your mother," he said. "She's been—"

"In The Between. Yes. She's out now."

He looked at the side of the hall where Marcelline was still talking to the technical board representatives, managing questions with the ease of someone who had been managing the technical documentation of this problem for nine years.

He looked at her for a long moment with an expression Aveline could not fully read.

"She's all right," Aveline said.

"Yes," he said. "She looks all right." A pause. "She looks like herself."

Aveline thought about what it meant to look like yourself after nine years in an impossible space. She thought about her mother at the piano and at the kitchen table and at the glass tower on the eastern boulevard.

"She is herself," she said.

Her father nodded once, slowly. "I am going to need time," he said. "To understand what you've done. What she was doing. All of it."

"I know," she said. "You have it."

He nodded again. He looked, she thought, like a man who had been certain about the structure of his life and had just found out the structure was different from what he had thought, and was doing the specific hard work of adjusting rather than refusing. This was, she thought, perhaps the best she could have hoped for.

"Thank you," she said. "For preparing me. For everything you prepared me for. It was useful."

He looked at her. The expression was complicated. "I prepared you for the wrong thing," he said.

"You prepared me to be precise and composed and capable of holding a large amount of information without being overwhelmed by it," she said. "That turned out to be exactly the right thing."

He was quiet.

She left him to his thinking and went to find her mother.

They stood together at the side of the crystal hall as the room continued to process around them, and Aveline looked up at the two skies visible through the ceiling and thought about all the ordinary days ahead, and about one specific person who had said yes without qualification.

"He is coming," her mother said.

"Yes."

"When?"

"Soon. The crossing window in three days should be stable enough."

Marcelline looked at the two skies above them. "I would like to meet him before that, in whatever way is possible."

"I'll arrange a convergence window," Aveline said. "You can speak through the zone."

"Good." Her mother was quiet for a moment. "He waited a very long time for someone to come."

"Yes."

"And when you came, you came correctly."

Aveline thought about what correctly meant. She thought about the calibration device and the convergence windows and the notebook full of lists and the specific quality of working toward something methodically because it was the right thing to work toward.

She thought about the moment at platform seven, the warm hand across the boundary, the simple confirmation that he was real.

"I tried to," she said.

Her mother put a hand on her arm, briefly. "You succeeded," she said.

The hall around them was beginning to settle from its initial turbulence into something more like the organized processing of a city that had just learned something very large. People were still talking, still exchanging information, still asking questions. But the quality of the noise had changed from shock toward something more functional.

Aveline thought: this is what it looks like when something hidden becomes visible. Not immediate resolution — ongoing work. But different from before. Better than before.

She thought: we are in the after now.

She thought about Caelan in Nocturne, on the other side of a boundary that was no longer a wall.

She thought: three days.

She found Julian again near the exit, as the hall began to thin.

He looked the way he had been looking for the past several weeks — more present than the Julian of the announcement dinner, carrying something real rather than something constructed. Tired, but the good kind of tired that came from having done something difficult and done it correctly.

"The formal paperwork will need to be filed," he said. "The dissolution documentation. My solicitor is already—"

"I know," she said. "It will be handled."

He nodded. Then he said: "For what it's worth — I'm glad it was you. At the center of all of this." He paused. "I'm glad it was the specific person you turned out to be."

She looked at him. "So am I," she said. "About you."

They stood for a moment in the crystal hall with the two skies above them and the city processing its new information all around them, and she thought about what it meant to have done something genuinely difficult with people who rose to it.

She thought: this is what it looks like when the right people are in the right place.

She walked home through the afternoon city, and the sky above her was two things at once, and she found it entirely beautiful.

You've reached the end of this chapter

Chapter 19

Chapter 19: The Glass Ceiling Waltz

Chapter 19: The Glass Ceiling Waltz

The night before the ceremony, Aveline stood before her mirror for the last time.

Not looking for him — he was not there, he was in Nocturne preparing for the ceremony's aftermath — but simply standing there, with the mirror as it had always been: an oval glass in a dark wood frame that had been in this room since before she was born, which had held an extraordinary number of events in the past several weeks while appearing to be simply a mirror.

She thought about the first night, half past eleven, holding the Accord open to page thirteen, the projector lamp making the second layer faint and legible. She thought about the man who had appeared in its surface and told her things she had not been ready to know and which had turned out to be entirely true.

She thought: I have changed considerably since then.

She thought: no. I was always this. I have simply been more of it.

She got ready for bed with the same precision she brought to everything and lay in the dark listening to both clocks, and thought about tomorrow.

The ceremony was at noon in House Veyr's crystal hall. She would arrive on time. She would walk through the room with the composure she had been building her entire life. She would stand at the center of it and, in front of every house and every family and every witness that Lord Severin had assembled to watch the completion of an Accord he believed was inevitable, she would say what needed to be said.

She was not nervous. She was — prepared. The specific quality of prepared that came from actually being ready rather than simply having done the preparation.

She thought about what she would say. She had written it out, not as a script — she did not work from scripts — but as a structure: the facts, in order, with the explanation of each fact and the documentation that existed for each claim. Clear language. No embellishment. The kind of account that could not be refuted because it was built entirely from evidence rather than argument.

She thought about who would be in the room. The houses. Severin, who had told her he would not fight it. Julian, who had chosen. Her mother, who had come back from nine years in The Between for this moment. Orin Vale, who had been quietly prepared for this for years. Mirel, who was attending as the representative of the city's public record — Aveline had arranged this; it had required some negotiation, but she had the skill for negotiation when needed.

She thought about the moment after she finished speaking, when the room would process what had been said and what it meant. She thought about what happened in a room when something very large that had been hidden becomes visible.

She thought: it will be all right. Not immediately. But in time.

She thought about time. She thought about her mother spending nine years in The Between and coming out with nine years of documentation. She thought about Caelan spending years working toward a crossing that took eleven minutes to execute once the preparation was in place. She thought about long work and patience as the available form of action and about all the ways that time was not the enemy of things that mattered.

She slept.

---

The morning of the ceremony was the same clean silver-blue as the day she had met Julian for tea, which felt, in retrospect, intentional in a way that it was not — the weather was not intentional, nothing in nature was intentional, but she had learned over the past weeks to look for patterns and she saw one here, even if it was coincidence: the sky the same quality of clear on both the day when she had begun to understand the problem and the day when she was going to resolve it.

She dressed with care. Not the ceremony dress — she had been told the ceremony dress would be fitted and waiting at House Veyr, which was the traditional form. She wore the travelling coat she had worn to the archive, to the station, to the clock shop, to every significant moment of the past several weeks. The pockets were still the right size for the calibration device, which she was carrying. The boots were still the silent-soled ones.

She went downstairs to breakfast.

Her mother was already at the table, with tea and the engineering documentation spread around her in the organized way that meant she had been working since six. She looked up when Aveline came in.

"How do you feel?" she asked.

"Ready," Aveline said.

Her mother looked at her for a moment — the assessment, the one she gave everything worth understanding — and nodded once. "Yes," she said. "You are."

They ate breakfast together. The city outside was running its ordinary mechanisms, the sky-rail and the clocktower and the market district. Aveline ate methodically and thought about noon and about what would happen after noon.

She thought about after. She had been thinking about it for days now, in the way Caelan had said he thought about it — in detail, in the large and the small of it. She thought about the technical work: the field monitoring, the documentation, the ongoing coordination between both sides. She thought about the public work: Mirel's story, the city's understanding, the slow process of a community integrating information that had been kept from it for generations.

She thought about the personal work, which was not less important than the rest.

She thought about an ordinary Tuesday.

She finished her breakfast. She put on her coat. She walked to House Veyr.

The crystal hall was filled when she arrived. Every family. Every house. The chandeliers above the crystal ceiling caught the morning light and scattered it, and through the crystal ceiling she could see the sky — silver-blue, and at the very edges of her vision, just barely, the violet that had been there for days now, so faint as to be almost invisible except to someone who knew what to look for.

She walked through the room with the composure she had been building her entire life. She let people see her: composed, precise, ready. She found her position. She waited for the moment.

The moment came.

She spoke.

She spoke for eleven minutes.

She told them: the second layer of the Accord, in clear language, explained the mechanism it described. She told them the mechanism had been designed sixty years ago to stabilize the Engine at the cost of a parallel city called Nocturne Meridian. She told them the parallel city was real and was visible to anyone who knew how to look. She told them the restriction notices and the removed catalog entries and the authorization signature on the restriction notice.

She did not say Lord Severin's name. She had decided not to — not to protect him, but because the story was not about blame. It was about information. The city needed the information. The blame would be worked out over time by people whose work that was.

She told them about her mother. She told them Marcelline Corvayne was alive and had been in The Between for nine years because she had been trying to complete the work she described, and that she was present in this room today, and she gestured to where her mother stood at the side of the hall, holding nine years of documentation.

She told them the mechanism had been interrupted four days ago and that both cities were now stabilizing independently.

She said that the Accord between House Corvayne and House Veyr was being dissolved, formally, in front of these witnesses, not as a breach of contract but as a correction: the Accord had been built on a false premise, and the false premise had been corrected, and the dissolution was the natural legal consequence.

She said that Julian Veyr of House Veyr was dissolving the Accord with her, because he had chosen to, because he had understood what was at stake and made a decision she respected.

She looked at Julian. He was standing at the edge of the platform, as they had arranged, and he stepped forward and said, formally and clearly: "House Veyr, Meridian side, dissolves the Accord." And then: "This was the right thing to do."

The hall was very quiet.

She said: "From Nocturne, through a convergence zone, I have been told that House Veyr, Nocturne side, also dissolves the Accord. The dissolution is complete."

The document on the platform — the Accord, the surface layer and the second layer both — dissolved. Not physically — paper did not dissolve — but the resonance mechanism that had been embedded in it released. She felt it in the calibration device in her pocket: the reading shifted, and then was still.

The hall remained quiet.

Then, from the crystal ceiling above them, the sky showed through — both skies. Silver-blue and deep violet, side by side, visible through the transparent ceiling to the full room, to every family and every house, to every person who had ever looked up at the Meridian sky and found it simply the sky and nothing more.

Someone in the back of the hall made a sound. Someone else began talking, quietly, urgently. The quiet broke and became something else: not chaos, not alarm, but the specific sound of a room full of people processing an enormous amount of information at the same time.

Aveline stood in the center of it and felt the specific quality of a thing completed.

She thought: it is done.

She thought about thirty-one names on Mirel's list. She thought about the buildings in Nocturne that had stopped fading. She thought about her mother at the side of the hall, with nine years of documentation, ready to answer the questions that were coming.

She thought about Caelan in Nocturne, watching the same event from the other side: the dissolution being registered in the Nocturne records, the Nocturne sky showing a silver-blue edge for the first time in possibly ever, the specific quality of two cities that had been pressed against each other beginning to find a different way to be adjacent.

She thought about an ordinary Tuesday.

She thought: we are going to have time for that now.

The hall continued to process. People were moving, talking, a contingent near Severin's position were in some kind of exchange she did not need to be part of. Julian was at her side, having crossed the room with the quiet efficiency she had come to expect from him.

"That went," he said carefully, "approximately as planned."

"Approximately," she agreed.

They stood in the crystal hall with both skies visible above them and the machinery of the city outside running its ordinary processes and the specific sound of a world renegotiating its understanding of itself all around them.

"What happens now?" Julian asked.

"Now," she said, "everything happens. But the worst of it has already been done, and the rest is work."

He nodded. "I'm good at work."

"I know," she said. "So am I."

Outside, through the crystal ceiling, the two skies held each other in the afternoon light.

The afternoon was a different kind of work from the past several weeks.

The past several weeks had been investigation and calculation and preparation and convergence windows and the specific sustained effort of building a plan in secret while performing ordinary life on top of it. This was different: visible, present, being in the room while the thing she had done was being processed by everyone it affected.

She talked to the families. She answered questions. She talked to the technical advisory board members who had been on the Engine maintenance committee and who had, she suspected, known more than they had been permitted to say. She talked to Lady Thessen, who asked three specific questions that Aveline had prepared answers for and who seemed, at the end of the exchange, satisfied in the way of someone whose suspicions had been confirmed.

She talked to her father.

This was the conversation she had been avoiding thinking about specifically, because it was more complicated than most of the others. Lord Aldric Corvayne had spent twenty-two years preparing her for a role in an alliance that had just been dissolved. He had brought her up to be the instrument of a mechanism that she had just publicly dismantled.

He did not look angry. He looked, when she found him at the edge of the hall, very tired.

"You knew," he said, when she reached him. Not an accusation. A statement.

"Yes. For several weeks."

"You didn't tell me."

"No." She held his gaze. "I needed to understand the full picture before I told anyone who would have felt obligated to act on partial information."

He was quiet for a long time. "Your mother," he said. "She's been—"

"In The Between. Yes. She's out now."

He looked at the side of the hall where Marcelline was still talking to the technical board representatives, managing questions with the ease of someone who had been managing the technical documentation of this problem for nine years.

He looked at her for a long moment with an expression Aveline could not fully read.

"She's all right," Aveline said.

"Yes," he said. "She looks all right." A pause. "She looks like herself."

Aveline thought about what it meant to look like yourself after nine years in an impossible space. She thought about her mother at the piano and at the kitchen table and at the glass tower on the eastern boulevard.

"She is herself," she said.

Her father nodded once, slowly. "I am going to need time," he said. "To understand what you've done. What she was doing. All of it."

"I know," she said. "You have it."

He nodded again. He looked, she thought, like a man who had been certain about the structure of his life and had just found out the structure was different from what he had thought, and was doing the specific hard work of adjusting rather than refusing. This was, she thought, perhaps the best she could have hoped for.

"Thank you," she said. "For preparing me. For everything you prepared me for. It was useful."

He looked at her. The expression was complicated. "I prepared you for the wrong thing," he said.

"You prepared me to be precise and composed and capable of holding a large amount of information without being overwhelmed by it," she said. "That turned out to be exactly the right thing."

He was quiet.

She left him to his thinking and went to find her mother.

They stood together at the side of the crystal hall as the room continued to process around them, and Aveline looked up at the two skies visible through the ceiling and thought about all the ordinary days ahead, and about one specific person who had said yes without qualification.

"He is coming," her mother said.

"Yes."

"When?"

"Soon. The crossing window in three days should be stable enough."

Marcelline looked at the two skies above them. "I would like to meet him before that, in whatever way is possible."

"I'll arrange a convergence window," Aveline said. "You can speak through the zone."

"Good." Her mother was quiet for a moment. "He waited a very long time for someone to come."

"Yes."

"And when you came, you came correctly."

Aveline thought about what correctly meant. She thought about the calibration device and the convergence windows and the notebook full of lists and the specific quality of working toward something methodically because it was the right thing to work toward.

She thought about the moment at platform seven, the warm hand across the boundary, the simple confirmation that he was real.

"I tried to," she said.

Her mother put a hand on her arm, briefly. "You succeeded," she said.

The hall around them was beginning to settle from its initial turbulence into something more like the organized processing of a city that had just learned something very large. People were still talking, still exchanging information, still asking questions. But the quality of the noise had changed from shock toward something more functional.

Aveline thought: this is what it looks like when something hidden becomes visible. Not immediate resolution — ongoing work. But different from before. Better than before.

She thought: we are in the after now.

She thought about Caelan in Nocturne, on the other side of a boundary that was no longer a wall.

She thought: three days.

She found Julian again near the exit, as the hall began to thin.

He looked the way he had been looking for the past several weeks — more present than the Julian of the announcement dinner, carrying something real rather than something constructed. Tired, but the good kind of tired that came from having done something difficult and done it correctly.

"The formal paperwork will need to be filed," he said. "The dissolution documentation. My solicitor is already—"

"I know," she said. "It will be handled."

He nodded. Then he said: "For what it's worth — I'm glad it was you. At the center of all of this." He paused. "I'm glad it was the specific person you turned out to be."

She looked at him. "So am I," she said. "About you."

They stood for a moment in the crystal hall with the two skies above them and the city processing its new information all around them, and she thought about what it meant to have done something genuinely difficult with people who rose to it.

She thought: this is what it looks like when the right people are in the right place.

She walked home through the afternoon city, and the sky above her was two things at once, and she found it entirely beautiful.

You've reached the end of this chapter